Looking back over my thoughts on Star Trek in general, I’m reminded that Star Trek: Discovery is the only TV show I’ve ever truly felt some investment in before its release. I do feel a sort of obligation to myself to pay attention to the show, to keep track of the details. It’s a very distinct feeling from the Abrams movies. In 2009, I had only watched TNG and TOS, and was also geared to expect a Star Trek movie, along the lines of the TNG movies, which taken all together are tolerable at best, and totally different in tone in the tv shows.
The new series has more incentive to live up to them if it is trying to cater to Star Trek fans, even if they can be nitpicky.
A lot of people are snickering about their abbreviation of the name of the show. Star Trek Discovery can be shortened to STD! Ha! Disease is funny! Didn’t the producers realize that, before deciding to use the forbidden fourth letter of the alphabet?
But really, this is a fine way to abbreviate the show’s name. I’m not going to tell you you can’t refer to the show as STD. We should remember, though, that there is an established abbreviation convention for the previous Star Trek series: we only abbreviate the subtitle! Star Trek (1966) is abbrevated TOS for The Original Series, Star Trek: The Next Generation has long been abbreviated TNG, Deep Space Nine DS9, Voyager VOY, Enterprise ENT. CBS’s use of DSC (or the more popular use of DIS) for Discovery is not a cover-up or a workaround, but falls in line with the rule.
The details and tech should serve the story
One of the big technical issues with Star Trek is in the speed of the ships themselves. Warp Factor, a number (1 through 9.995) that describes the ships faster-than-light speed, is a brilliant device because it draws the audience’s attention away from the actual speed of the ship, except for implying super-future-fast (warp 5) or flippin-fantastic-future-fast (warp 9). We don’t need to know how quickly the ships are zooming around in terms of kilometers per second for the sake of most stories. The show can be totally inconsistent from one episode to the next in terms of speeds and distances travelled and the times between, but very very few Star Treks are about the specific speeds of the ships. Stating these speeds has the potential to be distracting. It was great when the writers created a function and diagram mapping the warp factor to a real speed, but this would be violated many times afterwards.
The point to remember is that we are not going to get so caught up in this TV show that we’re going to lose sight of the fact that it isn’t real. We acknowledge the inconsistencies and move on, giving us mental energy to think about the story at hand.
This extends to other technologies or plot elements in the show that might seem contradictory, both to each other, or to our own world. Who cares that the Eugenics Wars of the 1990s, cited in the original series and The Wrath of Khan, didn’t seem to happen. Exhaustive in-universe retconning should only be done if it makes an interesting story, or else they’ll be wasting our time.
Some fans really griped that the ship bridge and technology featured in ST:DIS didn’t look like the original series. Again, the point of these visuals is to support a believable story, and not be distracting. For someone who has “lived in” the Star Trek universe their whole lives, thinking of Kirk on the bridge all the time, it might be distracting to try to believe that DIS comes ten years before and yet doesn’t have all the goofy memory tapes and buttons of the original series bridge. However, for most people, recreating the original Enterprise set for a modern television show that’s trying to take itself seriously would be much, much more distracting.
Regardless, it’s fun to nitpick and note details
A fan picking apart details and trying to fit everything together in the puzzle should be able to acknowledge they’re doing it for fun, or for their enjoyment of the show. There doesn’t need to be some higher purpose involved, and it will be in their best interest to learn how to do so without being angry or indignant towards the creators. It will also serve a consumer well to learn how to interpret someone else’s nitpicking and exploration as an exercise in puzzle-solving rather true criticism. I’m going to have fun recognizing Star Trek elements and seeing how they fit (or don’t!) in the established world.
“Missing” and tacked-on information
Fans have been skeptical about the use of Sarek in the show as Michael Burnham’s adopted Vulcan father. Sarek, introduced in the first series as Spock’s father, serves as the only character we’ve seen connecting Discovery to another Star Trek series. It’s an obscure (enough) character that only fans of Star Trek will really care about. And this is maybe a good point: using him shrinks the universe a bit. Why can’t we have a story about a bunch of people in the same universe who have never met an Original Series character? I’ve heard this argument made with the Aliens franchise, in which many incarnations of the movies, games, or comics seem to feature a family member of Ellen Ripley. It’s easy to be drawn from the narrative when presented with something unlikely. The reminder of a character from an earlier incarnation of Star Trek is designed to connect and bridge us more closely to the show, but it backfires by just reminding us that the show is manufactured to do so.
The fact that Spock has an adopted human half-sister, though, is not much of a retcon. Some fans have said, why did we never hear of Spock mention his sister Michael? Why didn’t Sarek, Perrin, or Sybok, Spock’s immediate family members, ever mention her in their appearances in their appearances in The Original Series, the movies, or The Next Generation?
I’d answer: because she never needed to come up. Spock is notorious for being efficient and logical. Do you think he’d yammer on about his experiences with his sister while in a life-or-death situation onboard the Enterprise? Even at the first appearance of Sarek, Spock appears reluctant to mention that he is his father, defaulting to the business at hand and referring to him as a diplomat. His failure to mention his sister is no plot hole. Although TNG season 7 might make it seem otherwise, a TV show does not need to have an episode devoted to each family member of each main character.
Again, let’s remind ourselves, this is a TV show. Let’s do our best to judge it as one, and not as an historical record of real events. We don’t have to convince ourselves to like it, completely disregarding continuity errors, but we can adjust how strongly we react.